Tonality 1900-1950: Concept and Practice
Felix Worner, Ullrich Scheideler, Philip Rupprecht
Tonality - or the feeling of key in music - achieved crisp theoretical definition in the early 20th century, even as the musical avant-garde pronounced it obsolete. The notion of a general collapse or loss of tonality, ca. 1910, remains influential within music historiography, and yet the textbook narrative sits uneasily with a continued flourishing of tonal music throughout the past century. Tonality, from an early 21st-century perspective, never did fade from cultural attention; but it remains a prismatic formation, defined as much by ideological-cultural valences as by its role in technical understandings of musical practice. Tonality 1900-1950: Concept and Practice brings together new essays by 15 leading American and European scholars.
Thể loại:
Năm:
2012
Nhà xuát bản:
Franz Steiner Verlag
Ngôn ngữ:
english
Trang:
276
ISBN 10:
3515101608
ISBN 13:
9783515101608
File:
PDF, 5.11 MB
IPFS:
,
english, 2012
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